There is an interaction between teachers
and students which can feed the motivation
levels of each. A few weeks ago, at nearly
the peak of autumn colors on our campus, I
led my writing class on a five minute stroll
from the classroom over to the student union,
where I had noticed that morning there was
a new display of watercolors by Arthur Short
Bull (http://www.dawnhawk.org), a Lakota Sioux Indian. The students in this
writing course are from China, Saudi Arabia,
Vietnam, Peru, South Korea, and Panama. We
spent about 10 minutes viewing the art, and
then walked back to the classroom, where I
asked these ESL learners to describe their
impressions in writing.
I was interested to read that many of them
were intrigued by the scenes and moods in
the paintings of Arthur Short Bull, and several
students wished they knew more about Native
American Indians.
My next move was to introduce them to a short
story, "The Man to Send Rainclouds," by one of
my favorite authors, Leslie Marmon Silko. I had
first read this story in 1984, with high school
students at the Kickapoo Indian Reservation in
northeast Kansas, my first teaching job outside
the university, when I was months from receiving
my masters in TESL and starting my international
travels.
Back in December of 1983, when she heard I
would be teaching at the Kickapoo school, a linguistics classmate of mine, Lori Orser Weston, had suggested to me that I obtain
two books: "The Man to Send Rainclouds" (an anthology of stories and poems by young American
Indian authors, featuring the title story, by
Leslie Silko) and "Ceremony," one of Silko's
first novels, which was relatively new at that
time.
Those two suggestions were pivotal in what
turned out to be a wonderful teaching and
learning experience for me. I read the short
stories with the sophomores; the juniors and
I read Ken Kesey's "One Flew Over the Cuckoo's
Nest," and the seniors read "Ceremony." Later,
the sophomores created a play which they called
"The Rez," depicting a storyline somewhat akin
to the path of Tayo, the main character in
the Silko novel.
The positive interactions which I enjoyed
in the spring of 1984 with the students at
Kickapoo Nation School have remained with
me as helpful influences throughout my
teaching career. I visited the reservation
three years later, a guest of one of my
students who had married and had two children
by that time.
Many years passed before I had
the chance to visit again, early in January
of 2005, when I called ahead and arranged
to visit one of the members of the 1984 junior
class, also on the phone getting a chance
to speak with one of his aunts, who were
both still paraeducators at the school just
as they had been when I taught there. My
conversation with their nephew the day I
arrived was short--the weather had slowed
me down getting there and he had only a
few minutes before he had to leave for work--
but very gratifying for me. He told me that
most of the reading he did these days was
of policy manuals at work, but that he had
once noticed the Kesey book on display at
a store and thought to himself, "I read
that book."
Anyway, it was a great spring term at the
Kickapoo school for me in 1984, and the
stories of Leslie Silko had everything to
do with that. I made an effort to get her
to come to speak at their graduation in
late May--I found a phone number and left
several messages before speaking to her
mother, who relayed the request and later
informed me that her daughter had other
commitments for the dates we needed.
Now, in mid-fall of 2007, I brought that
first short story to my ESL students and
hoped they would enjoy it, too. In addition,
I shared with them much of the section in
James Banks' "Multicultural Education: Issues
and Perspectives" in which he
addresses issues relevant to Native American
Indians, including the solid historical
perspective which he contributes.
Then, about the same time, I noticed one of
very few little posters around campus advertising an upcoming showing of "In
Whose Honor?," a documentary from the 1990s
which explains the origins of protests against
sports mascots which trivialize Indian culture.
It was a free showing of the movie, and on
a big screen, so I offered my students extra
points for attending, which more than half
of them took me up on. It was neat seeing
everybody in this different context, outside
of classtime, and it inspired me when I realized
how seriously these students were taking this
topic.
I got up early in the morning the day after
the movie, knowing I wanted to prepare a special
learning experience for these amazing students
of mine. What I ended up doing was the following
series of activities, which took a full 75 minute class period.
Activity One: Contextualizing the Story of Sakagawea
Divide the students into three
groups:
GROUP A studies information about the
Louisiana Purchase, using the World Book
Online site, including maps.
GROUP B studies information about the
Lewis and Clark expedition, using the
World Book Online site, including maps.
GROUP C studies information about the
life of Sacagawea, using information on
PBS Online.
This is an extended "jigsaw" activity, and
jigsawing is generally considered one of
Bob Slavin's great collection of cooperative
learning activities, but the procedure was
first described by Aronson and Patnoe in 1997,
in a book titled "The jigsaw classroom: Building
cooperation in the classroom" (Longman).
Activity One: Part B
Now each group stands in front of
the classroom to share the key points
from the information they have been
reading, studying, and discussing. (We
were very fortunate in that our classroom
has a number of neat standing maps, including
one that shows how the Louisiana Purchase
changed the size of the United States of America.
Activity Two: A Play from Pro Lingua
I've mentioned Pro Lingua Associates in
other reports on the ESL MiniConference. This
time, I am highlighting their collection of
plays for ESL students, "Celebrating American
Heroes" (Siebert, 2000), and one of the plays
which they have made available online as a
sample for free download, "Crossing the
Continent to the Pacific," which is the
story of Sacagawea's crucial role in the
Lewis and Clark expedition.
These plays are great because, in addition
to the different roles and the narrator's
voice, there are lines for a Greek-style
chorus, which can be spoken in unison by
all the students at once, and which tend
to crystalize and repeat the main ideas.
Because we had nested the play within
its historical context through the jigsaw
activities on the Louisiana Purchase, Lewis
and Clark, and Sacagawea, it seemed like
the students really understood the experience
more fully. Several of them thanked me after
the class period for helping them to understand
this important story, and others have expressed
gratitude, in various writings and essays, for
drawing their attention to information about
Native American Indians.
I hope this description of one of the
"topical riffs" in one of my ESL classes
is useful to other teachers, as an example
of what can happen if we are sensitive to
opportunities to infuse real-world data
into typical ESL curricula.
On the morning that I took my students to see
that artwork, I had been planning something
completely different for the class. But, while
trying to hurry through the Union to bring
together materials for what I was planning to
teach, I ran into a colleague from another
department, and felt obliged to engage in a
five-minute conversation about topics of
mutual interest. That "interruption" turned
my head, and, as I walked towards the exit
my eyes happened upon the new display in a
little gallery there.
It's funny because several weeks later, in the
early evening on the day of the Sacagawea
lesson, I found myself talking about the
Louisiana Purchase with a citizen of France,
who said French history records
Napoleon Bonaparte as arguing that "there was
no future in America," and we smiled and laughed together.
By Robb Scott
Editor, ESL MiniConference Online
Robb@eslminiconf.net
2007 ESL MiniConference Online
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